{"id":2458,"date":"2026-03-25T19:27:42","date_gmt":"2026-03-25T18:27:42","guid":{"rendered":"https:\/\/silentscapes.eu\/?p=2458"},"modified":"2026-03-25T19:27:42","modified_gmt":"2026-03-25T18:27:42","slug":"nuova-pubblicazione-from-scenes-to-places-enhancing-film-exploration-through-the-revis-ontology-based-consultation-app","status":"publish","type":"post","link":"https:\/\/silentscapes.eu\/?p=2458","title":{"rendered":"Nuova pubblicazione: From Scenes to Places: Enhancing Film Exploration through the RevIS Ontology-based consultation App"},"content":{"rendered":"\n<p>\u00c8 online, per il Journal on Computing and Cultural Heritage, disponibile al link <a href=\"https:\/\/dl.acm.org\/doi\/epdf\/10.1145\/3801551\">https:\/\/dl.acm.org\/doi\/epdf\/10.1145\/3801551<\/a>, una nuova pubblicazione firmata Revis!<\/p>\n\n\n\n<p>From Scenes to Places: Enhancing Film Exploration through the RevIS Ontology-based consultation App<\/p>\n\n\n\n<p>di<\/p>\n\n\n\n<p>SILVIO ALOVISIO, University of Turin, Italy<br>LILIANA ARDISSONO, University of Turin, Italy<br>ANGELO GENINATTI COSSATIN, University of Turin, Italy<br>VINCENZO LOMBARDO, University of Turin, Italy<br>DIEGO MAGRO, University of Turin, Italy<br>NOEMI MAURO, University of Turin, Italy<br>ANDREA NASI, University of Turin, Italy<br>LIVIO SCARPINATI, Independent Researcher, Italy<\/p>\n\n\n\n<p>Di seguito l&#8217;abstract: The archives of cinematographic production provide detailed, immediate descriptions of places and cultural habits over time through the stories that movies narrate or the realities they represent. However, current movie catalogs fail to integrate the sparse viewpoints presented by films because they support searches based on standard metadata, lacking a rich representation of places\u2019 features. To address this limitation, in the project \u201cRevisualizing Italian Silentscapes 1896-1922\u201d (RevIS), we extended traditional film ontologies with an explicit representation of narrative and actual places referenced in movies through their scenes. Specifically, we defined the RevIS place ontology, which provides a structured, multifaceted model for representing places in films. Based on this ontology, we developed the RevIS consultation app that supports advanced information exploration and visualization of movie data. The app enables users to explore information about geographical areas and cultural habits through cinematographic production. We evaluated the app with 28 participants, including generic non-scholarly users, movie amateurs, and film experts. They were satisfied with the information search support and valued the presentation of customs and habits in places over time through movie scenes. Specifically, they requested additional visualization features to enhance the connection between movie scenes and the spatial and temporal aspects of places. This finding confirms the added value of adopting place ontologies in current movie catalogs and provides suggestions for future extensions of the RevISfilm archive.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c8 online, per il Journal on Computing and Cultural Heritage, disponibile al link https:\/\/dl.acm.org\/doi\/epdf\/10.1145\/3801551, una nuova pubblicazione firmata Revis! From Scenes to Places: Enhancing Film Exploration through the RevIS Ontology-based consultation App di SILVIO ALOVISIO, University of Turin, ItalyLILIANA ARDISSONO, University of Turin, ItalyANGELO GENINATTI COSSATIN, University of Turin, ItalyVINCENZO LOMBARDO, University of Turin, ItalyDIEGO&hellip;&nbsp;<a href=\"https:\/\/silentscapes.eu\/?p=2458\" class=\"\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">Nuova pubblicazione: From Scenes to Places: Enhancing Film Exploration through the RevIS Ontology-based consultation App<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":2459,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":"","footnotes":""},"categories":[10,8],"tags":[400],"class_list":["post-2458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-pubblicazioni","tag-revis"],"_links":{"self":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/posts\/2458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2458"}],"version-history":[{"count":1,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/posts\/2458\/revisions"}],"predecessor-version":[{"id":2460,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/posts\/2458\/revisions\/2460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/media\/2459"}],"wp:attachment":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}