{"id":2151,"date":"2025-01-20T16:21:01","date_gmt":"2025-01-20T15:21:01","guid":{"rendered":"https:\/\/silentscapes.eu\/?p=2151"},"modified":"2025-01-20T16:21:01","modified_gmt":"2025-01-20T15:21:01","slug":"the-27th-issue-of-immagine-on-landscapes-and-locations-of-silent-cinema-100-years-later-is-now-online","status":"publish","type":"post","link":"https:\/\/silentscapes.eu\/?p=2151&lang=en","title":{"rendered":"The 27th Issue of &#8220;Immagine&#8221; on Landscapes and Locations of Silent Cinema 100 Years Later is Now Online"},"content":{"rendered":"\n<p>The <em>RevIS<\/em> dossier of the journal <em>Immagine. Note di Storia del Cinema<\/em> (Issue 27) is finally online!<\/p>\n\n\n\n<p>It is available for open access at this link:<\/p>\n\n\n\n<p><a href=\"https:\/\/rivistaimmagine.org\/index.php\/airsc\">https:\/\/rivistaimmagine.org\/index.php\/airsc<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1024\" src=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2025\/01\/cover_issue_35_it-1-722x1024.jpg\" alt=\"\" class=\"wp-image-2152\" style=\"width:261px;height:auto\" srcset=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2025\/01\/cover_issue_35_it-1-722x1024.jpg 722w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2025\/01\/cover_issue_35_it-1-211x300.jpg 211w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2025\/01\/cover_issue_35_it-1-768x1090.jpg 768w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2025\/01\/cover_issue_35_it-1-1083x1536.jpg 1083w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2025\/01\/cover_issue_35_it-1-1444x2048.jpg 1444w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2025\/01\/cover_issue_35_it-1.jpg 1748w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/figure>\n\n\n\n<p>Here is a preview of the table of contents:<\/p>\n\n\n\n<p>Revisualizing international silentscapes. paesaggi e location del cinema muto cent\u2019anni dopo<\/p>\n\n\n\n<p>a cura di Ilaria Agostini, Silvio Alovisio, Stella Dagna, Alessandro Faccioli<\/p>\n\n\n\n<p>Ilaria Agostini, Silvio Alovisio, Stella Dagna, Alessandro Faccioli: Paesaggi perduti, paesaggi ritrovati: per una nuova ricerca su luoghi e territori del cinema muto<\/p>\n\n\n\n<p>Richard Abel: Dreamwork of Empire: Landscape in Early Westerns<\/p>\n\n\n\n<p>Matteo Citrini: Il traforo del Sempione e l\u2019Esposizione di Milano 1906. Fratture epistemiche nei meccanismi di visione e rappresentazione del panorama motorio<\/p>\n\n\n\n<p>Massimiliano Gaudiosi: Pompei resuscitata: viaggio di un topos narrativo tra lanterne magiche e kolossal storici<\/p>\n\n\n\n<p>C\u00e9line Gailleurd: Ci-g\u00eet un visage enfoui. La condition humaine au coeur des paysages italiens dans les \u2018dal vero\u2019 des ann\u00e9es 1910<\/p>\n\n\n\n<p>Ivo Blom: Roma antica, reale e ricostruita, nei film della Cines (1909-1924). Luoghi, architettura, oggetti di scena<\/p>\n\n\n\n<p>Serena Bellotti, Daniela Pera, Simone Venturini: \u201cPer vivere fra le nevi eterne\u201d. La guerra d\u2019Italia a 3000 metri sull\u2019Adamello (1916) tra ricostruzione di un silentscape perduto, luoghi della memoria e paesaggi d\u2019archivio<\/p>\n\n\n\n<p>Stefano Branca, Simona Busni, Laura Vichi: Il paesaggio di \u201cLa Montagne infid\u00e8le\u201d di Jean Epstein: dal reportage alla teoria del cinema<\/p>\n\n\n\n<p>Stefano Cracolici: Il paesaggio tattile delle Alpi nei Bergfilme di Arnold Fanck<\/p>\n\n\n\n<p>Dimitrios Latsis: Between Mittel-Europa and the American West: \u201cSunrise\u201d as a \u2018Landscape Text\u2019<\/p>\n\n\n\n<p>Arianna Vergari: Lo spettacolo dei \u2018phantom ride\u2019 nelle risemantizzazioni del paesaggio mobile<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The RevIS dossier of the journal Immagine. Note di Storia del Cinema (Issue 27) is finally online! It is available for open access at this link: https:\/\/rivistaimmagine.org\/index.php\/airsc Here is a preview of the table of contents: Revisualizing international silentscapes. paesaggi e location del cinema muto cent\u2019anni dopo a cura di Ilaria Agostini, Silvio Alovisio, Stella&hellip;&nbsp;<a href=\"https:\/\/silentscapes.eu\/?p=2151&#038;lang=en\" class=\"\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">The 27th Issue of &#8220;Immagine&#8221; on Landscapes and Locations of Silent Cinema 100 Years Later is Now Online<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":2152,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":"","footnotes":""},"categories":[60,62],"tags":[],"class_list":["post-2151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","category-publications"],"_links":{"self":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/posts\/2151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2151"}],"version-history":[{"count":1,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/posts\/2151\/revisions"}],"predecessor-version":[{"id":2153,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/posts\/2151\/revisions\/2153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/media\/2152"}],"wp:attachment":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}