![\"\"](\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/03\/Mazzei-foto-819x1024.jpg\")
<\/figure><\/div><\/div>\n\n\n\nBiography<\/strong><\/div><\/summary>\nLuca Mazzei is Associate Professor of Film at the University of Rome Tor Vergata. His main research interest concerns the relationship between film and documents in the history of Italian cinema. He is co-director of the journal Immagine. Note di storia del cinema<\/em> and a member of the editorial board of the journal L\u2019avventura. Journal of Italian Film and Media Landscapes<\/em>. He has published several essays in books and journal, he is the author of Geometrie dello sguardo. Contributi allo studio dei formati nel cinema italiano<\/em> (2006, with Federico Vitella), Napoleoncina di Lucio d\u2019Ambra. La sceneggiatura<\/em> (2015), and the co-editor, with Francesco Casetti and Silvio Alovisio of Early Film Theories in Italy 1896-1922<\/em> (2017).<\/p>\n<\/div><\/details>\n\n\n\nContacts<\/strong><\/strong><\/div><\/summary>\nUniroma<\/a><\/span><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\nIlaria Agostini<\/h4>\n\n\n\n<\/div>\n\n![\"\"](\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/09\/Agostini-edited-2.png\")
<\/figure><\/div><\/div>\n\n\n\n\n\nBiography<\/strong><\/strong><\/div><\/summary>\nIlaria Agostini is Researcher at the Department of Cultural Heritage of the University of Bologna; she teaches at the doctoral course in Architectural and Urban Engineering of the University of Rome \u201cLa Sapienza\u201d and she is Directeur de recherche at the Centre de recherches interdisciplinaires en sciences sociales et humaines, Universit\u00e9 Paul-Val\u00e9ry Montpellier 3. Her research focuses on the themes of situated life: the urban and rural environments housing it, the modes of territorial transformation, the politics concerning cityscapes and landscapes, the self-organized territorial resistances projecting and producing existential alternatives.<\/p>\n<\/div><\/details>\n\n\n\nContacts<\/strong><\/strong><\/div><\/summary>\nUniBO<\/a><\/span><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\nAngela Maria Fornaro<\/h4>\n\n\n\n<\/div>\n\n![\"\"](\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/10\/IMG-20230808-WA0045-1-1.jpg\")
<\/figure><\/div><\/div>\n\n\n\n\n\nBiography<\/strong><\/strong><\/strong><\/div><\/summary>\nAngela Maria Fornaro was born in Pomigliano d\u2019Arco (NA) in 1975.
She obtains a degree in Conservation of Cultural Heritage at the University Suor Orsola Benincasa in Naples, with a thesis on the image of the landscape in Neapolitan silent cinema (prof. A. Sainati). In 2005 he completed his Ph.D. at the University of Florence with a thesis on tricks and special effects in Italian silent films of the 1910s (prof. Sandro Bernardi). From 2005 to 2023 he taught in public school. In 2009 she attended the Film Restoration Summer School of the Cineteca di Bologna and, in the same year, worked as archivist-revisionist for the Cinema Museum of Turin.
Since 2010, she has been the legal representative of the Camera Film Cultural Association, which works to disseminate and enhance film culture and materials, including the Salvatore Confessore (16mm renter) archival film and document collection.
Since 2019, she has been a professor of restoration and tutor of film revision laboratory for the advanced training course Specialist in Post-production and Film Restoration at the University of Studies Suor Orsola Benincasa in Naples; at the Academy of Fine Arts in Naples, in 2022-2023, she taught in the semester course of History of Animated Cinema.<\/p>\n<\/div><\/details>\n\n\n\nContacts<\/strong><\/div><\/summary>\nE-mail: angelamariafornaro[at]gmail.com<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
Lorenzo Marmo<\/h4>\n\n\n\n<\/div>\n\n![\"\"](\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Marmo-edited.jpeg\")
<\/figure><\/div><\/div>\n\n\n\n\n\nBiography<\/strong><\/strong><\/div><\/summary>\nLorenzo Marmo is Associate Professor of Film and Media Studies at Universitas Mercatorum, and he also teaches at the University of Naples \u201cL\u2019Orientale\u201d. He obtained his PhD from Roma Tre University, and in 2017 he was Lauro de Bosis Postdoctoral Fellow at Harvard University. He is the author of Roma e il cinema del dopoguerra. Neorealismo melodramma noir <\/em>(Bulzoni 2018) and his main research interests are: the relationship between film, photography and space; Italian cinema; the theory of atmospheres.<\/p>\n<\/div><\/details>\n\n\n\nContacts<\/strong><\/div><\/summary>\nIuo Academia<\/span><\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\nEleonora Sforzi<\/h4>\n\n\n\n<\/div>\n\n![\"\"](\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/10\/Eleonora-Sforzi_foto-edited-scaled.jpg\")
<\/figure><\/div><\/div>\n\n\n\n\n\nBiography<\/strong><\/strong><\/strong><\/div><\/summary>\nEleonora Sforzi is a postdoctoral researcher at the “Tor Vergata” University of Rome within the PRIN Project “Revisualizing Italian Silentscapes 1896-1922”. She is lecturer in “Fashion, Media and Visual Culture” at the University of Florence. She participated in the PRIN Project “Cinema and the New Culture of Consumption in Italy (1950-1973)” as a postdoctoral researcher at the “G. d\u2019Annunzio” University of Chieti-Pescara. She holds a Ph.D. in History of Fine and Performing Arts from the University of Florence, in co-tutorship with Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne. Her research, which draws inspiration from visual culture studies and media archaeology, focuses on the history of fashion film in Italy and France. She has published some articles in edited volumes and in academic journals and she has participated in national and international conferences in the field of film and media studies.<\/p>\n<\/div><\/details>\n\n\n\nContacts<\/strong><\/div><\/summary>\nEleonora.Sforzi[at]uniroma2.it<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
Martina Savi<\/h4>\n\n\n\n<\/div>\n\n![\"\"](\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2024\/11\/Martina-Savi-3-768x1024.jpg\")
<\/figure><\/div><\/div>\n\n\n\n\n\nBiography<\/strong><\/strong><\/strong><\/div><\/summary>\nMartina Savi has recently obtained a scholarship at the University of Rome \u201cTor Vergata\u201d, as part of the PRIN project \u201cRevisualizing Italian Silentscapes 1896-1922\u201d. She graduated in Communication and Media Studies with a thesis entitled Turin Rediscovered Through the Gaze of the Cinematographer<\/em> (M.A) and in Communication Sciences (B.A.), with a thesis entitled Le R\u00eave de l’Enchanteur: between the dream and the hallucination of the enchanter<\/em>, on the film production of Georges M\u00e9li\u00e8s. She participated as a speaker in the interdisciplinary seminar The Unreal Film: Visual Hallucination and Narration <\/em>(University of Turin, 2018), with a speech entitled The hallucinatory scene in M\u00e9li\u00e8s’ cinema.<\/em> In 2020 she collaborated on the project of the online interactive atlas AtlasFor, for the management of the related platform and the selection, for educational purposes, of the film materials relating to the locations and landscape of early Italian cinema.<\/p>\n<\/div><\/details>\n\n\n\nContacts<\/strong><\/div><\/summary>\nhttps:\/\/independent.academia.edu\/MartinaSavi5<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
Chiara Trinchese<\/h4>\n\n\n\n<\/div>\n\n![\"\"](\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2024\/11\/Foto-1-768x1024.jpg\")
<\/figure><\/div><\/div>\n\n\n\n\n\nBiography<\/strong><\/strong><\/strong><\/div><\/summary>\nChiara Trinchese is a research fellow at the University of Rome Tor Vergata, as part of the project “Identification and cataloging of landscape sequences of films shot in Lazio 1896-2023”. After completing internships and training courses focused on analog restoration and digitization of film heritage at the CSC – Cineteca Nazionale and at the Archivio Storico Istituto Luce, in 2024 she obtained a master’s degree in Performing Arts and Multimedia Production at the University of Rome Tor Vergata, with a thesis in Conservation and restoration of film and audiovisual heritage. The thesis, entitled The Restoration of Tha\u00efs (Anton Giulio Bragaglia, 1917): a collaboration between Cin\u00e9math\u00e8que fran\u00e7aise and CSC – Cineteca Nazionale<\/em>, received a special mention in the framework of the 2024 edition of the Olmi Prize, awarded by the University of Milan.<\/p>\n<\/div><\/details>\n\n\n\nContacts<\/strong><\/div><\/summary>\nchiara.trinchese[at]uniroma2.it<\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\nElisa Uffreduzzi<\/h4>\n\n\n\n<\/div>\n\n![\"\"](\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2024\/11\/Elisa_Uffreduzzi-3-1024x576.png\")
<\/figure>\n<\/div>\n\n\n\n\n\nBiography<\/strong><\/strong><\/strong><\/div><\/summary>\nElisa Uffreduzzi is research fellow at Universit\u00e0 degli Studi di Roma \u201cTor Vergata\u201d. She has participated in the research project Cinecensura,<\/em> about the history of Italian film censorship and she has been Marie Sk\u0142odowska-Curie postdoctoral fellow at Universit\u00e9 libre de Bruxelles for the research project W.I.S.S.PE.R. \u2013 Women\u2019s Impact on Silent Screen Performance Reloaded<\/em>, about actresses-dancers in silent film. Her publications include the monograph La danza nel cinema muto italiano<\/em> (2017) and the book Il buio oltre la siepe<\/em> (Gremese, 2024), on Robert Mulligan\u2019s To Kill a Mockingbird<\/em>.<\/p>\n<\/div><\/details>\n\n\n\nContacts<\/strong><\/div><\/summary>\nelisa.uffreduzzi[at]uniroma2.it<\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"The Rome research unit coordinates the selection, analysis and cataloguing of research sources, starting from the films already available in the digital format. The establishment of a corpus of titles to work on is made possible by the collaboration of several film archives both in Italy and abroad. The cataloguing aims in particular at the… Leggi tutto »University of ROME “Tor Vergata”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":1,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":"","footnotes":""},"class_list":["post-858","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=858"}],"version-history":[{"count":16,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/858\/revisions"}],"predecessor-version":[{"id":2145,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/858\/revisions\/2145"}],"wp:attachment":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Luca Mazzei is Associate Professor of Film at the University of Rome Tor Vergata. His main research interest concerns the relationship between film and documents in the history of Italian cinema. He is co-director of the journal Immagine. Note di storia del cinema<\/em> and a member of the editorial board of the journal L\u2019avventura. Journal of Italian Film and Media Landscapes<\/em>. He has published several essays in books and journal, he is the author of Geometrie dello sguardo. Contributi allo studio dei formati nel cinema italiano<\/em> (2006, with Federico Vitella), Napoleoncina di Lucio d\u2019Ambra. La sceneggiatura<\/em> (2015), and the co-editor, with Francesco Casetti and Silvio Alovisio of Early Film Theories in Italy 1896-1922<\/em> (2017).<\/p>\n<\/div><\/details>\n\n\n\n Uniroma<\/a><\/span><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n Ilaria Agostini is Researcher at the Department of Cultural Heritage of the University of Bologna; she teaches at the doctoral course in Architectural and Urban Engineering of the University of Rome \u201cLa Sapienza\u201d and she is Directeur de recherche at the Centre de recherches interdisciplinaires en sciences sociales et humaines, Universit\u00e9 Paul-Val\u00e9ry Montpellier 3. Her research focuses on the themes of situated life: the urban and rural environments housing it, the modes of territorial transformation, the politics concerning cityscapes and landscapes, the self-organized territorial resistances projecting and producing existential alternatives.<\/p>\n<\/div><\/details>\n\n\n\n UniBO<\/a><\/span><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n Angela Maria Fornaro was born in Pomigliano d\u2019Arco (NA) in 1975. E-mail: angelamariafornaro[at]gmail.com<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n Lorenzo Marmo is Associate Professor of Film and Media Studies at Universitas Mercatorum, and he also teaches at the University of Naples \u201cL\u2019Orientale\u201d. He obtained his PhD from Roma Tre University, and in 2017 he was Lauro de Bosis Postdoctoral Fellow at Harvard University. He is the author of Roma e il cinema del dopoguerra. Neorealismo melodramma noir <\/em>(Bulzoni 2018) and his main research interests are: the relationship between film, photography and space; Italian cinema; the theory of atmospheres.<\/p>\n<\/div><\/details>\n\n\n\n Iuo Academia<\/span><\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n Eleonora Sforzi is a postdoctoral researcher at the “Tor Vergata” University of Rome within the PRIN Project “Revisualizing Italian Silentscapes 1896-1922”. She is lecturer in “Fashion, Media and Visual Culture” at the University of Florence. She participated in the PRIN Project “Cinema and the New Culture of Consumption in Italy (1950-1973)” as a postdoctoral researcher at the “G. d\u2019Annunzio” University of Chieti-Pescara. She holds a Ph.D. in History of Fine and Performing Arts from the University of Florence, in co-tutorship with Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne. Her research, which draws inspiration from visual culture studies and media archaeology, focuses on the history of fashion film in Italy and France. She has published some articles in edited volumes and in academic journals and she has participated in national and international conferences in the field of film and media studies.<\/p>\n<\/div><\/details>\n\n\n\n Eleonora.Sforzi[at]uniroma2.it<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n Martina Savi has recently obtained a scholarship at the University of Rome \u201cTor Vergata\u201d, as part of the PRIN project \u201cRevisualizing Italian Silentscapes 1896-1922\u201d. She graduated in Communication and Media Studies with a thesis entitled Turin Rediscovered Through the Gaze of the Cinematographer<\/em> (M.A) and in Communication Sciences (B.A.), with a thesis entitled Le R\u00eave de l’Enchanteur: between the dream and the hallucination of the enchanter<\/em>, on the film production of Georges M\u00e9li\u00e8s. She participated as a speaker in the interdisciplinary seminar The Unreal Film: Visual Hallucination and Narration <\/em>(University of Turin, 2018), with a speech entitled The hallucinatory scene in M\u00e9li\u00e8s’ cinema.<\/em> In 2020 she collaborated on the project of the online interactive atlas AtlasFor, for the management of the related platform and the selection, for educational purposes, of the film materials relating to the locations and landscape of early Italian cinema.<\/p>\n<\/div><\/details>\n\n\n\n https:\/\/independent.academia.edu\/MartinaSavi5<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n Chiara Trinchese is a research fellow at the University of Rome Tor Vergata, as part of the project “Identification and cataloging of landscape sequences of films shot in Lazio 1896-2023”. After completing internships and training courses focused on analog restoration and digitization of film heritage at the CSC – Cineteca Nazionale and at the Archivio Storico Istituto Luce, in 2024 she obtained a master’s degree in Performing Arts and Multimedia Production at the University of Rome Tor Vergata, with a thesis in Conservation and restoration of film and audiovisual heritage. The thesis, entitled The Restoration of Tha\u00efs (Anton Giulio Bragaglia, 1917): a collaboration between Cin\u00e9math\u00e8que fran\u00e7aise and CSC – Cineteca Nazionale<\/em>, received a special mention in the framework of the 2024 edition of the Olmi Prize, awarded by the University of Milan.<\/p>\n<\/div><\/details>\n\n\n\n chiara.trinchese[at]uniroma2.it<\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n Elisa Uffreduzzi is research fellow at Universit\u00e0 degli Studi di Roma \u201cTor Vergata\u201d. She has participated in the research project Cinecensura,<\/em> about the history of Italian film censorship and she has been Marie Sk\u0142odowska-Curie postdoctoral fellow at Universit\u00e9 libre de Bruxelles for the research project W.I.S.S.PE.R. \u2013 Women\u2019s Impact on Silent Screen Performance Reloaded<\/em>, about actresses-dancers in silent film. Her publications include the monograph La danza nel cinema muto italiano<\/em> (2017) and the book Il buio oltre la siepe<\/em> (Gremese, 2024), on Robert Mulligan\u2019s To Kill a Mockingbird<\/em>.<\/p>\n<\/div><\/details>\n\n\n\n elisa.uffreduzzi[at]uniroma2.it<\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":" The Rome research unit coordinates the selection, analysis and cataloguing of research sources, starting from the films already available in the digital format. The establishment of a corpus of titles to work on is made possible by the collaboration of several film archives both in Italy and abroad. The cataloguing aims in particular at the… Leggi tutto »University of ROME “Tor Vergata”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":1,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":"","footnotes":""},"class_list":["post-858","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=858"}],"version-history":[{"count":16,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/858\/revisions"}],"predecessor-version":[{"id":2145,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/858\/revisions\/2145"}],"wp:attachment":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Ilaria Agostini<\/h4>\n\n\n\n
<\/figure><\/div><\/div>\n\n\n\nAngela Maria Fornaro<\/h4>\n\n\n\n
<\/figure><\/div><\/div>\n\n\n\n
She obtains a degree in Conservation of Cultural Heritage at the University Suor Orsola Benincasa in Naples, with a thesis on the image of the landscape in Neapolitan silent cinema (prof. A. Sainati). In 2005 he completed his Ph.D. at the University of Florence with a thesis on tricks and special effects in Italian silent films of the 1910s (prof. Sandro Bernardi). From 2005 to 2023 he taught in public school. In 2009 she attended the Film Restoration Summer School of the Cineteca di Bologna and, in the same year, worked as archivist-revisionist for the Cinema Museum of Turin.
Since 2010, she has been the legal representative of the Camera Film Cultural Association, which works to disseminate and enhance film culture and materials, including the Salvatore Confessore (16mm renter) archival film and document collection.
Since 2019, she has been a professor of restoration and tutor of film revision laboratory for the advanced training course Specialist in Post-production and Film Restoration at the University of Studies Suor Orsola Benincasa in Naples; at the Academy of Fine Arts in Naples, in 2022-2023, she taught in the semester course of History of Animated Cinema.<\/p>\n<\/div><\/details>\n\n\n\nLorenzo Marmo<\/h4>\n\n\n\n
<\/figure><\/div><\/div>\n\n\n\nEleonora Sforzi<\/h4>\n\n\n\n
<\/figure><\/div><\/div>\n\n\n\nMartina Savi<\/h4>\n\n\n\n
<\/figure><\/div><\/div>\n\n\n\nChiara Trinchese<\/h4>\n\n\n\n
<\/figure><\/div><\/div>\n\n\n\nElisa Uffreduzzi<\/h4>\n\n\n\n
<\/figure>\n<\/div>\n\n\n\n