{"id":114,"date":"2022-12-21T23:12:10","date_gmt":"2022-12-21T22:12:10","guid":{"rendered":"https:\/\/cms.silentscapes.eu\/?page_id=114"},"modified":"2023-10-09T17:09:30","modified_gmt":"2023-10-09T15:09:30","slug":"universita-degli-studi-di-padova","status":"publish","type":"page","link":"https:\/\/silentscapes.eu\/?page_id=114","title":{"rendered":"Universit\u00e0 degli Studi di PADOVA"},"content":{"rendered":"\n<p style=\"font-size:18px\">L\u2019unit\u00e0 di ricerca di Padova progetta e coordina la progettazione e la sperimentazione di modelli didattici ed educativi basati sulle fonti e sui dati della ricerca, indirizzati sia alle istituzioni scolastiche e formative sia alla societ\u00e0 civile. Le sperimentazioni proposte intendono valorizzare il rapporto di reciproco scambio e la progettazione di spazi di interazione partecipata, riconoscendo nel paesaggio un bene comune. La prototipazione delle sperimentazioni didattiche \u00e8 incentrata sulle informazioni raccolte nella banca dati, sulle potenzialit\u00e0 di tools per la personalizzazione di mappe geolocalizzate e sulla pratica del found footage.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Farah Polato (Responsabile Unit\u00e0 di ricerca)<\/h4>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-5114544f\" class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-oneTwo-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-50f751d0\" class=\"wp-block-themeisle-blocks-advanced-column\"><div class=\"wp-block-image ticss-8d354bde is-style-default\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Polato-1-edited.jpg\" alt=\"\" class=\"wp-image-707\" style=\"border-style:none;border-width:0px;border-radius:6px;width:229px;height:305px\" width=\"229\" height=\"305\" srcset=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Polato-1-edited.jpg 388w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Polato-1-edited-225x300.jpg 225w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/figure><\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-04b68f0d\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<div id=\"wp-block-themeisle-blocks-accordion-3e3ccc95\" class=\"wp-block-themeisle-blocks-accordion exclusive\">\n<details class=\"wp-block-themeisle-blocks-accordion-item ticss-135f79d7\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Biografia<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\">Farah Polato \u00e8 professoressa associata presso il Dipartimento dei Beni Culturali dell&#8217;Universit\u00e0 degli Studi di Padova, dove insegna Filmologia e Forme della narrazione seriale dei media. Coordina la linea di ricerca dipartimentale CineLands.&nbsp;Media, paesaggio, turismo (<a href=\"https:\/\/cinelands.beniculturali.unipd.it\/\">https:\/\/cinelands.beniculturali.unipd.it\/<\/a>). Tra le attivit\u00e0, realizzate in stretta collaborazione con realt\u00e0 del territorio ed enti di formazione, rientrano i progetti <em>Strumenti innovativi per la promozione turistica: film-induced tourism<\/em> (FSE 2013-2015) e <em>Il Veneto, le acque e il cinema. Nuovi strumenti di valorizzazione territoriale<\/em> (2016-2018, ricerca dipartimentale\/Assegno junior 2015) di cui \u00e8 stata responsabile scientifico.&nbsp;<\/p>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Contatti<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\"><a href=\"https:\/\/www.beniculturali.unipd.it\/www\/dipartimento\/personale\/personale-docente\/profilo-docente\/?IdDocDid=7396&amp;ruolo=doc\" class=\"ek-link\"><span style=\"text-decoration: underline;\" class=\"ek-underline\">Unipd<\/span><\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Laura Cesaro<\/h4>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-38cf3469\" class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-oneTwo-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-761b5085\" class=\"wp-block-themeisle-blocks-advanced-column\"><div class=\"wp-block-image is-style-default ticss-4ee10468\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Cesaro-edited.png\" alt=\"\" class=\"wp-image-710\" style=\"border-style:none;border-width:0px;border-radius:6px;width:225px;height:300px\" width=\"225\" height=\"300\" srcset=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Cesaro-edited.png 601w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Cesaro-edited-225x300.png 225w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure><\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-416f3e48\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<div id=\"wp-block-themeisle-blocks-accordion-35dda44c\" class=\"wp-block-themeisle-blocks-accordion exclusive\">\n<details class=\"wp-block-themeisle-blocks-accordion-item ticss-135f79d7\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Biografia<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\">Laura Cesaro \u00e8 assegnista di ricerca presso l&#8217;Universit\u00e0 degli Studi di Padova. I suoi interessi di ricerca riguardano gli studi sui festival cinematografici e il rapporto tra cinema e territorio. In collaborazione con il progetto di ricerca CineLands (dBC &#8211; Unipd), la sua indagine si concentra sulle prospettive visive legate alla mappatura del territorio, compresa la progettazione di modelli didattici ed educativi. \u00c8 autrice di <em>Geografie del controllo nella scena audiovisiva contemporanea<\/em> (Bulzoni, 2022).<\/p>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Contatti<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\">Nessun contatto disponibile<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Alessandro Faccioli<\/h4>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-2e1424ef\" class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-oneTwo-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-87829b70\" class=\"wp-block-themeisle-blocks-advanced-column\"><div class=\"wp-block-image is-style-default ticss-9fc4b9c2\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img decoding=\"async\" src=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Faccioli-edited.jpg\" alt=\"\" class=\"wp-image-708\" style=\"border-style:none;border-width:0px;border-radius:6px;width:218px\" width=\"218\" srcset=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Faccioli-edited.jpg 279w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Faccioli-edited-225x300.jpg 225w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/><\/figure><\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-3e6a21a2\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<div id=\"wp-block-themeisle-blocks-accordion-3ddbc50e\" class=\"wp-block-themeisle-blocks-accordion exclusive\">\n<details class=\"wp-block-themeisle-blocks-accordion-item ticss-135f79d7\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Biografia<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\">Alessandro Faccioli \u00e8 professore associato presso l&#8217;Universit\u00e0 di Padova dove insegna&nbsp;<em>Storia e Critica del Cinema<\/em>&nbsp;e&nbsp;<em>Film Genres&nbsp;<\/em>ed \u00e8&nbsp;presidente del Corso di Laurea in Discipline delle Arti, della Musica e dello Spettacolo (Dams).&nbsp;Ha conseguito a Bologna il Dottorato in Studi teatrali e cinematografici e diretto progetti di ricerca. Tra questi ultimi,&nbsp;nel 2016&nbsp;il PRAT&nbsp;<em>Urban Landscapes&nbsp;and Home Movies: the Image of the City and Innovative Tools to harness a Hidden Visual Cultural Heritage (Italy, 1930-1980s)<\/em>.&nbsp;Per il biennio 2019-2020 \u00e8 stato nominato componente della Commissione Tecnica di Valutazione delle richieste di contributo a valere sul POR FESR 2014-2020 della Regione del Veneto.<\/p>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Contatti<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\"><a href=\"https:\/\/www.beniculturali.unipd.it\/www\/dipartimento\/personale\/personale-docente\/profilo-docente\/?IdDocDid=2080&amp;ruolo=doc\" class=\"ek-link\"><span style=\"text-decoration: underline;\" class=\"ek-underline\">Profilo docente<\/span><\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Michael Guarneri<\/h4>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-02840cde\" class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-oneTwo-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-d2f68b9e\" class=\"wp-block-themeisle-blocks-advanced-column\"><div class=\"wp-block-image is-style-default ticss-9fc4b9c2\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/09\/Mike-2-819x1024.jpg\" alt=\"\" class=\"wp-image-1847\" style=\"border-style:none;border-width:0px;border-radius:6px;width:252px;height:315px\" width=\"252\" height=\"315\" srcset=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/09\/Mike-2-819x1024.jpg 819w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/09\/Mike-2-240x300.jpg 240w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/09\/Mike-2-768x960.jpg 768w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/09\/Mike-2.jpg 1040w\" sizes=\"auto, (max-width: 252px) 100vw, 252px\" \/><\/figure><\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-d84dc305\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<div id=\"wp-block-themeisle-blocks-accordion-afd29ef5\" class=\"wp-block-themeisle-blocks-accordion exclusive\">\n<details class=\"wp-block-themeisle-blocks-accordion-item ticss-135f79d7\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Biografia<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\">Michael Guarneri \u00e8 assegnista di ricerca presso l\u2019Universit\u00e0 degli Studi di Padova. Tra il 2021 e il 2023 ha lavorato come assegnista di ricerca presso l&#8217;Universit\u00e0 di Bologna, occupandosi delle relazioni tra critici cinematografici e istituzioni politiche e militari italiane nel Secondo Dopoguerra per il PRIN 2017 \u201cPer una storia privata della critica cinematografica italiana\u201d. \u00c8 autore di <em>Questi fiori malati: Il cinema di Pedro Costa<\/em> (B\u00e9bert, 2017), <em>Vampires in Italian Cinema, 1956-1975 <\/em>(Edinburgh University Press, 2020) e <em>Conversations with Lav Diaz<\/em> (Piretti Editore, 2020).<\/p>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Contatti<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\">michael.guarneri[at]unipd.it<\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Laura Lo Presti<\/h4>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-cfe7d3a9\" class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-oneTwo-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-c9c82414\" class=\"wp-block-themeisle-blocks-advanced-column\"><div class=\"wp-block-image is-style-default ticss-4ee10468\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Lo-Presti-edited.png\" alt=\"\" class=\"wp-image-709\" style=\"border-style:none;border-width:0px;border-radius:6px;width:230px;height:306px\" width=\"230\" height=\"306\" srcset=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Lo-Presti-edited.png 623w, https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/01\/Lo-Presti-edited-225x300.png 225w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/figure><\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-8e3fa32f\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<div id=\"wp-block-themeisle-blocks-accordion-0f742c28\" class=\"wp-block-themeisle-blocks-accordion exclusive\">\n<details class=\"wp-block-themeisle-blocks-accordion-item ticss-135f79d7\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Biografia<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\">Laura Lo Presti \u00e8 assegnista di ricerca presso il Dipartimento di Scienze Storiche, Geografiche e dell&#8217;Antichit\u00e0 dell&#8217;Universit\u00e0 di Padova, dove coordina il nodo dipartimentale &#8220;Teorie e Metodi&#8221; del Centro di Studi Avanzati&nbsp;<em>Mobility &amp; Humanities<\/em>. Insegna, inoltre, Geografia presso il Dipartimento di Studi Linguistici e Letterari. \u00c8 interessata allo studio delle cartografie contemporanee con contaminazioni teoriche e metodologiche provenienti dagli studi visuali e dalla teoria critica. Tra le attivit\u00e0 di approfondimento delle relazioni tra geografia, youth studies e cinema rientra la partecipazione al progetto di ricerca internazionale <em>Imagining Young Lives: The Film Landscapes of Global Youth<\/em> coordinato da Stuart Aitken e Jake Rowlett (San Diego University).&nbsp;<\/p>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Contatti<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\"><a href=\"https:\/\/www.dissgea.unipd.it\/laura-lo-presti\" class=\"ek-link\"><span style=\"text-decoration: underline;\" class=\"ek-underline\">Unipd<\/span><\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Manlio Piva<\/h4>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-columns-03c29dd0\" class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-oneTwo-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-8b363fbb\" class=\"wp-block-themeisle-blocks-advanced-column\"><div class=\"wp-block-image is-style-default ticss-4ee10468\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/silentscapes.eu\/wp-content\/uploads\/2023\/06\/Manlio-Piva-edited.jpg\" alt=\"\" class=\"wp-image-1108\" style=\"border-style:none;border-width:0px;border-radius:6px;width:231px;height:308px\" width=\"231\" height=\"308\"\/><\/figure><\/div><\/div>\n\n\n\n<div id=\"wp-block-themeisle-blocks-advanced-column-2ef2f3c4\" class=\"wp-block-themeisle-blocks-advanced-column\">\n<div id=\"wp-block-themeisle-blocks-accordion-17b41bcb\" class=\"wp-block-themeisle-blocks-accordion exclusive\">\n<details class=\"wp-block-themeisle-blocks-accordion-item ticss-135f79d7\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Biografia<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\">Manlio Piva \u00e8 Ricercatore a Tempo Indeterminato SSD L-Art\/06 presso il Dipartimento FiSPPA dell&#8217;universit\u00e0 di Padova. Insegna&nbsp;<em>Educazione Artistica e Educazione Mediale<\/em>&nbsp;al CdLM in Scienze della Formazione Primaria e<em>&nbsp;Didattica degli Audiovisivi e Multimediale<\/em>&nbsp;al CdLM in Scienze delllo Spettacolo e Produzione Multimediale. I suoi principali ambiti di ricerca riguardano la Film &amp; Media Literacy &amp; Education, sui quali svolge anche attivit\u00e0 di sperimentazione didattica e formazione dei docenti in servizio, modelizzando best practices per il curricolo digitale. Fra queste, la creazione e utilizzo didattico di mappe geolocalizzate multimediali con le quali fornir\u00e0 al gruppo di ricerca PRIN 2020 un supporto utile alle attivit\u00e0 integrative e di disseminazione previste con le scuole e il territorio.<\/p>\n<\/div><\/details>\n\n\n\n<details class=\"wp-block-themeisle-blocks-accordion-item\"><summary class=\"wp-block-themeisle-blocks-accordion-item__title\"><div><strong>Contatti<\/strong><\/div><\/summary><div class=\"wp-block-themeisle-blocks-accordion-item__content\">\n<p style=\"font-size:18px\"><a href=\"https:\/\/www.unipd.it\/contatti\/rubrica?detail=Y&amp;ruolo=1&amp;checkout=cerca&amp;persona=piva&amp;key=FBAF7ADFCD7ABAC11E9A3AAAFF5B5A3C\" class=\"ek-link\"><span style=\"text-decoration: underline;\" class=\"ek-underline\">UniPd<\/span><\/a><\/p>\n<\/div><\/details>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019unit\u00e0 di ricerca di Padova progetta e coordina la progettazione e la sperimentazione di modelli didattici ed educativi basati sulle fonti e sui dati della ricerca, indirizzati sia alle istituzioni scolastiche e formative sia alla societ\u00e0 civile. Le sperimentazioni proposte intendono valorizzare il rapporto di reciproco scambio e la progettazione di spazi di interazione partecipata,&hellip;&nbsp;<a href=\"https:\/\/silentscapes.eu\/?page_id=114\" class=\"\" rel=\"bookmark\">Leggi tutto &raquo;<span class=\"screen-reader-text\">Universit\u00e0 degli Studi di PADOVA<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":2,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":"","footnotes":""},"class_list":["post-114","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=114"}],"version-history":[{"count":23,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/114\/revisions"}],"predecessor-version":[{"id":1922,"href":"https:\/\/silentscapes.eu\/index.php?rest_route=\/wp\/v2\/pages\/114\/revisions\/1922"}],"wp:attachment":[{"href":"https:\/\/silentscapes.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}